Catch and Kill

audiobooks

6 things indie authors should know about audiobooks

If you’re an indie author, you may be deliberating whether to take the plunge into publishing an audiobook. The reasons to forge ahead are many. Audiobooks are the fastest growing segment in the publishing industry, showing a 37.1% increase in sales last year, while ebook sales have largely plateaued the past couple of years.

INDIE AUTHORS

Tips on the self-publishing journey

But there are drawbacks — chiefly, the amount of time, effort and sometimes money it takes to produce a solid recording.

The last time I checked, only about one in 10 indie authors bothers to go through the trouble of producing an audiobook to accompany a new book release. That’s bound to change. More than 67 million Americans now listen to audiobooks each year. Given current trends — particularly consumers’ lifestyle habits, with books consumed on the go and in bits and snatches — some experts predict audbook sales will overtake ebook sales in a few years.


Here’s a 4-minute sample from “Catch and Kill.” Go to the book’s page on Audible.
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watson-health

What will your personal AI look like?

We’ve arrived at another moment of cultural assimilation — the point at which a new concept or technology becomes absorbed into the social fabric as something that’s new and interesting and soon to be taken for granted.

I remember when I started talking about social media after I co-founded the social media platform Ourmedia in 2005. Almost nobody had heard of the term “social media” back then. By 2007, social media had started gaining widespread uptake, and by 2008, you’d hear occasional references to the phrase on television newscasts and in prime time. Today it’s become a tired catch phrase on the cable news shows.

Mobile, smartphones, virtual reality — each term underwent its own quick adoption curve in recent years, joining the national lexicon and our common tongue.

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4 books

How cutting-edge fiction shapes our future

For decades, fiction authors have built worlds for their books that, over time, become reality. H.G. Wells imagined inspired inventions from the laser to email. Jules Verne envisioned modern submarines, TV newscasts and lunar modules. Isaac Asimov predicted robotics and mobile computing. “Star Trek” conjured the holodeck and universal translators. I still get chills thinking of Ray Bradbury’s short story “The Veldt.”

A novellette by Isaac Asimov appeared in the September 1950 edition of Weird Tales.

As the tech advances, engineers and technologists begin to build what seemed like science fiction fantasy only a few years or decades before. Today, teams at Amazon AWS and elsewhere are working on a sort of universal translator. And what is a holodeck but an advanced form of virtual reality?

Not all such fantasies pan out — we still don’t have Wells’ time machine or invisible man — but a funny thing is happening as the future rushes toward us ever faster: The mind-bending changes that new technologies imprint on society are no longer centuries or decades away. They’re right around the corner.

That means near-future fiction is no longer the province of just sci-fi authors. Nora Roberts, writing as J.D. Robb, has a lengthy Eve Dallas series of police procedurals set in the 2050s. Daniel Suarez has given us “Change Agent” and “Daemon.” Andy Weir’s “The Martian” is more science thriller than sci-fi. Matthew Mather gives us “CyberStorm” and “Polar Vortex” without tipping into straight-out sci-fi — it’s the realism that makes it all so scary. Even Ernest Cline’s “Ready Player One” hews to a credible futuristic landscape circa 2045.

Over at Forbes.com, technology columnist Giovanni Rodriguez has a smart new piece titled, How A Great Techno-Thriller Might Help Us Reshape The Future. In it, he holds up my new high-tech thriller, Catch and Kill, as an example of this new breed of suspense novel that warns of the dark side of emerging technology. [Read more…] about How cutting-edge fiction shapes our future

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